Learn History Through Fiction: Little People Think Big

Little People of America (LPA) is a nonprofit for people no taller than 4’10” and their families. It was started by Billy Barty in 1957, who called on people of short stature to meet in Reno, Nevada. The original gathering of 21 people grew into the organization. A newspaper reporter wrote, “The small people gathered here today are endowed with that good quality which takes them out of the realm of oddity into the realm of humanity.” LPA’s motto “Think Big” was established in the 1960s. Today LPA has over 6,000 members in 70 chapters across the U.S. and internationally and is politically active in the disabilities rights movement. Read more about Little People of America in A Brain. A Heart. The Nerve. (Alternative Book Press), a fictional biography of the actor who played the Munchkin Coroner in The Wizard of Oz (see NOVELS). Munchkin actors were called “midgets,” now considered a derogatory term.

Little People of America was founded in 1957
LPA’s motto is “Think Big”
Munchkin actors were called “midgets,” now considered a derogatory term
A Brain. A Heart. The Nerve. (Alternative Book Press) by Ann S. Epstein

Learn History Through Fiction: Early Meat-Packers Union Broke Racial Barriers

In the 1920s and early 1930s, workers were unionized under the CIO’s United Packinghouse Workers of America (UPWA). An interracial committee led organizing in Chicago, where the majority of industry workers were black, and in other major cities, such as Omaha, Nebraska, where they were a sizable minority. The UPWA secured important gains in wages, hours, and benefits. Other labor unions remained largely segregated however, until the AFL and CIO merged in 1955 and declared in their new constitution that “all workers without regard to race, creed, color, national origin or ancestry shall share equally in the full benefits of union organization.” Read more Chicago and labor history in Tazia and Gemma (see NOVELS).

Chicago meat packers formed the first interracial labor union
Tazia and Gemma (Vine Leaves Press) by Ann S. Epstein

Learn History Through Fiction: The Four C’s of Rubies

Rubies get their name from ruber, the Latin word for red. The color is caused by the element chromium. Rubies are one of the four precious stones; the others are sapphires, emeralds, and diamonds. Like diamonds, the value of rubies is determined by 4 C’s: color, clarity, cut, and carets. The brightest and most valuable color is called pigeon blood red. The Smithsonian has a 23.1 carat ruby mined in Burma in the 1930s. Ruby is the July birth stone (Cancer), a symbol of the 40th wedding anniversary, and a sign of good luck in Asia. Read more gems about gems, including Dorothy’s ruby slippers in The Wizard of Oz, in A Brain. A Heart. The Nerve. (see NOVELS).

A ruby’s value is based on 4 C’s: color, clarity, cut, and carets
A Brain. A Heart. The Nerve. (Alternative Book Press) by Ann S. Epstein

Learn History Through Fiction: Failed Farmers Open Successful Inn

After failing at farming in the Catskills, Selig and Malke Grossinger, Polish immigrants, bought a large house on 100 acres, named it Grossinger’s, and made their daughter Jennie the manager. Malke, the daughter of an innkeeper who knew about hospitality, believed that “a life without sharing is barren.” Grossinger’s served strictly kosher food and attracted winter guests with the first artificial snow machine in 1952. By the time Jennie Grossinger died in 1972, the hotel’s 1,200 acres had 35 buildings and served 150,000 guests a year. The hotel closed in 1986 and only the golf course remained open. Read more about Grossinger’s and U.S. cultural history in A Brain. A Heart. The Nerve. (see NOVELS).

Grossinger’s Hotel during its heyday in the 1950s
A Brain. A Heart. The Nerve. (Alternative Book Press) by Ann S. Epstein

Empathy, Not Autobiography

As a fiction writer whose work is not autobiographical, I sometimes get annoyed when people assume it is. I’ve struggled to explain that when authors insert bits of themselves and those they know in their characters, it’s called empathy, not autobiography. So thank you, Colson Whitehead, for this cogent description: “A piece of art really works when you see yourself in the main characters and you see a glimpse of yourself in the villains” (“Author Colson Whitehead Reminds Us to See Ourselves” by Mitchell S. Jackson, Time, July 8, 2019). Read more of my thoughts about writing in REFLECTIONS.

Versatile, talented, and wise author Colson Whitehead

Learn History Through Fiction: Kansas “Frontier Guard” Protects President Lincoln

Kansas became the 34th state in January 1861. The Civil War began three months later. When rumors circulated that President Lincoln was about to be kidnaped or assassinated, Kansas senator James H. Lane recruited 120 Kansas men dubbed the “Frontier Guard.” For nearly three weeks they were billeted in the White House to protect the President. Kansans were staunch Union supporters. Of 30,000 Kansans of military age, 20,000 enlisted in the Union Army. After the war, Kansas returned to agriculture. Topeka, where the cattle ranches of the Southwest meet the Corn Belt, prospered as a typical Midwestern city. Read more Topeka and Kansas history in Tazia and Gemma (see NOVELS).

Two of three eligible Kansans enlisted in the Union Army
Railroads helped Topeka prosper as a Midwestern agricultural city
Tazia and Gemma (Vine Leaves Press) by Ann S. Epstein

“Adverbicide” to be Published by The Woven Tale Press

I’m pleased to announce that my craft article “Adverbicide: Must Writers Eradicate Adverbs?” will be published on The Woven Tale Press website. Here is the log line: “Adverbicide: Must Writers Eradicate Adverbs?” challenges anti-adverb dicta by critiquing their roots and drawing on developmental psychology to help writers overcome prohibitions and inhibitions. The editors expect the article to generate a lively debate. I’ll post the link when the essay is published. Leave your comments on The Woven Tale Press website and here on my blog. Read more about my thoughts on writing in REFLECTIONS.

The Woven Tale Press is the premier online hub for literature and visual arts

Learn History Through Fiction: Hitler’s “Fancy Man” Henchman

Hermann Goering, Hitler’s Henchman, used the confiscation of Jewish property to amass a fortune, seizing art and other valuables for himself, and collecting bribes that allowed others to do so. Born to a wealthy father and peasant mother, he exulted in aristocratic trappings such as a coat of arms and ceremonial swords and daggers. He designed an elaborate personal flag that was carried at public events, and was known for his extravagant taste and garish clothing, including a medieval hunting costume and a russet toga fastened with a golden clasp. His car, a Mercedes 540K Special Cabriolet, nicknamed “The Blue Goose,” had special features such as bullet-proof glass and bomb-resistant armor, and was modified to fit his girth behind the wheel. Dubbed “The Iron Man,” he didn’t mind jokes about his corpulence, taking them as a sign of his popularity. Read more about Nazi Germany and Hitler’s inner circle in A Brain. A Heart. The Nerve. (see NOVELS).

Hermann Goering, Hitler’s Henchman, looted Jewish artwork and other valuables
Hermann Goering loved pageantry and draped his considerable girth in costumes
A Brain. A Heart. The Nerve. (Alternative Book Press) by Ann S. Epstein

A Writer’s Obligation: Interest More Than Yourself

“For me, writing is really just learning about the things that interest me, and then trying to convince you to find them as interesting as I do.” — Susan Orlean on Twitter

Whether you write nonfiction (like the marvelous Susan Orlean) or fiction, the maxim applies. Good nonfiction writers engage readers in subjects they never thought they’d care about. Fiction writers, especially those who do extensive background research, are equally responsible for incorporating what they learn in ways that are integral to their stories. If we fail to generate that interest, the manuscript will be of interest to only one person — the writer. For more of my literary thoughts, see REFLECTIONS.

Nonfiction writer Susan Orlean can make any subject interesting

Learn History Through Fiction: Death Down the Elevator Shaft

During the 1911 Triangle Waist Company fire, two elevator operators, Joe Zitto and Joe Gaspar, each made 15-20 trips rescuing workers, nearly all of them immigrants. The elevators were meant to hold 15 passengers, but 30 or more piled inside. When workers on the 8th floor saw the elevator descend from the 10th floor without stopping for them, they broke the elevator’s glass door and jumped on top of the car. After the last descent, some desperate workers plunged down the empty shaft to their death. Read more about the fire and one immigrant survivor in Tazia and Gemma (see NOVELS).

In 1911 Triangle fire, desperate workers jumped down elevator shaft to their death
Tazia and Gemma (Vine Leaves Press) by Ann S. Epstein