Learn History Through Fiction: The Swoosh of Scissors

Composer Julia Wolfe sought the right scissors — dozens of pairs — for the January 24th premiere by the New York Philharmonic of her oratorio “Fire in My Mouth,” which commemorates the 1911 Triangle Waist Company factory fire that killed 146 garment workers, most of them young immigrant women. Scissors manufactured by Wiss made the satisfying “swoosh” sound Wolfe sought. The Crossing chamber choir “plays” them in the oratorio, which also features 146 girls from the Young People’s Chorus of New York City. Read more about a young Italian immigrant who survives the Triangle fire in Tazia and Gemma (see NOVELS).

Scissors make a satisfying “swoosh” sound in Julia Wolfe’s oratorio, “Fire in My Mouth,” commemorating the 1911 Triangle Waist Company fire

Most of the 146 victims in the Triangle fire were young immigrant women

Tazia and Gemma (Vine Leaves Press) by Ann S. Epstein

Learn History Through Fiction: Gold Nugget and Silver Screen

The California Gold Rush began 171 years ago today (January 24, 1848) when carpenter James Marshall found shiny flakes in the American River near Sutter’s Mill in the Sacramento Valley. “It made my heart thump, for I was certain it was gold,” he said. Days later, the treaty ending the Mexican-American War left California in the hands of the U. S. The following year, “Forty-Niners” quintupled California’s population to 100,000. During the gold rush, miners extracted more than 750,000 pounds, but after gold became scarce, many stayed on. By the end of the decade, the state boasted 380,000 residents. Fifty years later, California experienced another “boom” when movies became the next bonanza. Hollywood, later dubbed “The Silver Screen,” became the seat of the film industry in the early 1900s. While movie-making now takes place the world over, greater Hollywood is still the major site of production. Today the U.S. television and film industry employs an estimated 2.1 million people. Read more about Hollywood and movie history in A Brain. A Heart. The Nerve. (see NOVELS).

Discovery of shiny flakes at Sutter’s Mill sparks California Gold Rush

Half-century after California “gold rush,” Hollywood becomes seat of “silver screen”

A Brain. A Heart. The Nerve. (Alternative Book Press) by Ann S. Epstein

Learn History Through Fiction: Italian Immigration to the United States

The largest wave of Italian immigration to the United States (Stati Uniti) took place in the late 19th century and early 20th century. Between 1820 and 1978, 5.3 million Italians immigrated to the U.S., including over two million between 1900 and 1910. Only the Irish and Germans immigrated to this country in larger numbers. Read more about Italian immigrants to the U.S. 100 years ago in Tazia and Gemma (see NOVELS).

Italian immigrants arrive in New York City a century ago)

TAZIA AND GEMMA (Vine Leaves Press) by Ann S. Epstein

Learn History Through Fiction: Anti-Immigrant Racism Fueled Prohibition

Ratification of the 18th Amendment, which instituted Prohibition (1919-1933), was supported by many proponents of temperance, including religious fundamentalists and women battling domestic violence. But anti-immigrant racism was also a major factor, fueled by the so-called second Ku Klux Klan, which warned against the “foreign invasion of undeveloped races” whose members, stereotyped as saloon-drinking brawlers, “threatened the white Protestant American way of life.” Catholics, African-Americans, and Jews (who ironically rarely drank outside the home) were major targets of anti-drinking crusades, which often turned violent. The reign of terror drove many working-class families toward the Democratic Party, which opposed Prohibition. The legislation also gave the U.S. government an unprecedented role in law enforcement, which continues to this day. Read more about this era and anti-immigrant discrimination in On the Shore (see NOVELS).

Down the sewer, not the hatch

On the Shore (Vine Leaves Press) by Ann S. Epstein

Learn History Through Fiction: Fast as Molasses

One hundred years ago today (January 15, 1919), the Great Molasses Flood devastated Boston’s North End. By midday, the temperature had soared to 40 degrees after having dropped to 2 degrees earlier in the week. Rivets of a 50-foot molasses storage tank, owned by U.S. Industrial Alcohol, began to shoot into the air, followed by a roaring sound as 2.3 million gallons of molasses, a dark tidal wave 25 feet high by 160 feet wide and weighing 26 million pounds, flooded the busy waterfront neighborhood at 35 mph (belying the expression “slow as molasses”), killing 21 people, aged 10 to 78. The explosion should not have come as a surprise. The previous summer, one of the hottest on record, nearby residents noticed drips running down the tank’s walls. The owners reacted by painting the outside rust-brown, the color of molasses, to hide the leaks. Despite trying to place the blame on anarchists, the company was held responsible and fined the equivalent of $15 million in today’s dollars. Researchers later concluded that among the tank’s many design flaws, the walls were too thin. The foreman in charge of the project had no technical training and couldn’t even read blueprints. In response to this disaster, the Boston Building Department thereafter required detailed calculations and expert review before approving building permits. Many other municipalities followed. Read about how other fatal industrial accidents in the early 1900s led to construction and occupational reforms in Tazia and Gemma (see NOVELS).

2.3 millions gallons of sticky goo oozed through the streets of Boston in the Great Molasses Flood of January 15, 1919
Traveling at 35 mph, the molasses ripped away a beam supporting the elevated train tracks

Tazia and Gemma (Vine Leaves Press) by Ann S. Epstein

Literary Thoughts: Why Nighttime Driving is Like Writing

The late and revered author E. L. Doctorow said of nighttime driving, “You can see only as far as the headlights, but you can make the whole trip that way.” Doctorow could just as well have been talking about writing. You can only see as far as the next word or sentence, but guided by the headlights of imagination, you can write a whole book. For more of my thoughts on writing, see REFLECTIONS.

Nighttime driving is like writing. Yard by yard, word by word, guided by the headlights of imagination, you get there.
E. L. Doctorow

Publishing News: CultureCult Magazine to Publish “The Eros Salon”

I am happy to report that CultureCult Magazine will publish my story “The Eros Salon” in Spring 2019, Issue #11. Here is the log line: “The Eros Salon” is inspired by the bonds forged between Jewish professors fleeing Nazi Germany and the historically black colleges and universities that gave them jobs. In this story, a professor creates a social justice forum where whites and Negroes argue whether, if fear fuels fascism, love can sustain democracy. Read about the publication in SHORT STORIES and get updates on my other publishing events in NEWS. Check the CultureCult Magazine website to find out when Issue #11 is published; meanwhile, Issue #10, which includes my short story “It Ends With Cake” will be available soon.

What I’m Reading: The Overstory by Richard Powers

My Amazon and Goodreads review of The Overstory (Rating 4) – The Disappearing Story in Overstory. We read in The Overstory by Richard Powers that “The best argument in the world won’t change a person’s mind. The only thing that can do that is a good story.” So does this novel succeed as a story, or is it a polemic about saving the environment leafed out as fiction? Powers intertwines his story of the life of trees with that of nine individuals whose parallel journeys intersect. Both plants and people possess the traits we see outside (aboveground) and complex networks hidden within (belowground). Unfortunately, what begins as a very good story indeed gets overwhelmed by Powers’ urge to tell us everything he knows about trees. The story alas submerged, does the book succeed as an environmental tract? Do we learn what we can do to halt or even reverse the destruction? The disheartening conclusion I drew from The Overstory is that humans should do nothing other than observe and listen (gather data), leaving it to the trees themselves to speak and act. Some may find this solution satisfying, even uplifting. But, while I will never again regard trees without reverence, I ultimately found the book disappointing — neither a good story nor a good path through the world’s forests and jungles.

Learn History Through Fiction: Sticks and Bones

In some ways, life in the village of Loro Piceno, on the east coast of central Italy, hasn’t changed in over 100 years. You get samples of homemade Vino Cotto (literally cooked wine), wherever you go. Butchers still make ciauscolo, the Italian salami typical of Marche. Musicians serenade guests with instruments made of sticks and bones. Read more about this idyllic Italian village a century ago in Tazia and Gemma (see NOVELS).

Enjoy homemade Vino Cotto (literally cooked wine) in the village of Loro Piceno, Italy

Tazia and Gemma (Vine Leaves Press) by Ann S. Epstein

Learn History Through Fiction: Tattoo Who?

Researching a story on the activism of female circus performers in the suffragette movement, I learned about the history of women and tattoos. At the height of its popularity in the mid-19th century, the circus was one of the few places where women could earn an independent living as sideshow performers. They took advantage of the public’s fascination with body art to tattoo themselves. Ink also became an expression of independence for Victorian women outside the circus, particularly socialites who used it as a form of rebellion. Required by custom to keep their bodies covered, they brought tattoo artists into their homes to ink them in places that could be hidden. Even royals got in on the act. Lady Randolph Churchill, Winston’s mother, had a snake tattoo on her wrist, handily covered by a lace-trimmed sleeve or camouflaged by a bracelet. By the turn of the 20th century, three-quarters of New York City’s society ladies had adopted the fashion, favoring tattoos of butterflies, flowers, and dragons. You could say the first edition of Our Bodies, Ourselves was written on women’s skin. Discover more facts unearthed while researching the reality behind fiction in BEHIND THE STORY.

Tattooed female circus performer
Lady Randolph Churchill’s wrist tattoo