Category: General Interest

Novels by female Jewish immigrants, many written a century ago, are largely unknown. As noted in a New York Times article “How Yiddish Scholars Are Rescuing Women’s Novels From Obscurity”, Yiddish works by men such as Sholem Aleichem and Isaac Bashevis Singer were translated and popularized, but publishers dismissed women’s fiction as insignificant or unmarketable. Fortunately, a growing body of translations is being produced by Jewish feminist scholars who scroll the microfilms of bygone Yiddish newspapers and periodicals where the novels were serialized, and comb through archived card catalogs for women who were poets or diarists to see if they were also novelists. Scholars hope the newly translated novels will enrich the teaching of Yiddish — the mamaloshen or mother tongue — and provide this missing perspective. Alas, bias in the publishing industry hasn’t changed. The voices of women, especially those from diverse backgrounds, are still under-represented compared to men (roughly 30% to 70%). For more thoughts on writing and the literary world, see REFLECTIONS.

Simchat Torah, “Rejoicing with the Torah,” is a one-day Jewish holiday which this year begins at sundown on 28 September 2021 (23 Tishrei 5782). The celebration marks the conclusion of the annual cycle of reading Torah (the Five Books of Moses in the Old Testament) and the beginning of a new cycle. In one breath, we read of the death of the great prophet Moses at the end of the Book of Deuteronomy. The Torah scroll is rewound, often held aloft and danced with, and in the next breath, we read how the world is born in the creation story that opens the Book of Genesis. The holiday falls days after the Jewish High Holy Days, when Jews, after repenting and “returning” to acts of goodness, begin a new year with a clean slate. Simchat Torah, both literally and symbolically, marks this new start. As the weeks unfold, we read — as if for the first time — the story of Adam and Eve, Noah’s Ark, the arrival of the patriarchs and matriarchs in The Land, the Exodus of The People from Egypt following 430 years of slavery, receiving the Ten Commandments at Mt. Sinai, and the perilous forty-year journey through the desert as we return to The Land. Moses again dies, but earth, sky, and sea are created anew. Children love to have their favorite books reread to them. Some adults reread books. Not me. I read a book once, reflect on it, and later recall characters and events that left an impression. But with so many other books on my reading list, and new ones added all the time, I don’t pick it up again. Torah is the exception. I am about to embark on my thirty-second reading of “The Book.” With each cycle, a story I’ve never read before awaits me, evoking different reactions and insights. For the first time, I am reassessing the wisdom of those who reread other books. Might I follow their example? Books don’t change, but readers do. Now in my mid-seventies, what would I make of the novels I read in my twenties? Surely, the story would not be the same. More thoughts about reading and writing at REFLECTIONS.

“There’s nothing wrong with treating children or yourself to a bit of whimsy and wonderment and unimportant foolishness in a world that’s all too full of tears” (“Eric Carle’s Tiny Seeds” by Jonathan Kozol, The New York Times Book Review, August 1, 2021). In his tribute to children’s book author and illustrator Eric Carle, educator Jonathan Kozol captures why Carle, who died in May at age 91, delights us. Generations of readers will forever savor each page of The Very Hungry Caterpillar as they grow from being “hangry” to sympathizing over a tummy ache from overindulgence to being awed by the sight of a resplendent creature. Carle continued making collages until his death, leaving what he called an unfinished “nonsense book.” It’s up to us to carry on his playful spirit by reading his work and inventing new foolishness. I’m doing my part. Although I primarily write “serious” fiction, I always include humor and now and then I simply have to create off-the-wall pieces: “The Epigenetics of Barbie,” “Exploding Pyrex,” and “www.metroperpetual.com” (see SHORT STORIES). “It is a happy talent to know how to play.” – Ralph Waldo Emerson

“Indifference to the sublime wonder of living is the root of sin” (Rabbi Abraham Joshua Heschel, God in Search of Man: A Philosophy of Judaism). Heschel define wonder as “radical amazement.” Amazement leads us to ask “How can this be?” which in turn spurs us to seek knowledge, an explanation. This seeking is the practice of science. Contrary to the belief that science and religion are incompatible, however, is the observation that scientific discoveries do not end our sense of wonder, but instead increase our radical amazement that such phenomena exist. The best scientific writing conveys and inspires this sense of wonder. I write fiction, which is spurred by our sense of wonder about human nature. Fiction writers turn to imagination, not science, for explanations, but the motivation is the same. And whatever the answer — a story’s end — radical amazement remains. Nothing is fully explained, which is why the tales I like best, whether I’m writing or reading, are those with open endings. More thoughts about writing at REFLECTIONS.