Category: What I’m Reading

My Goodreads and Amazon review of The Slip by Lucas Schaefer (Rated 3) – The Skip. I wanted to like The Slip by Lucas Schaefer after the New York Times described the author as a “bold new voice” and his debut novel as “potent.” I thought a novel about the cold case of a missing teenage boy, set in a Texas gym, would be a cathartic substitute for my urge to punch something whenever I hear the news these days. Instead, forcing myself to finish the book in case I’d missed something the reviewer had seen, I found a tangle of people and tropes. As a novelist myself (see my Amazon author page and Goodreads author page), I don’t care if my characters are likable, but they must be engaging. Schaefer’s are tiresome. Even promising tales dead-end, like leads in a cold case. The author occasionally offers astute social commentary, and he invites readers into the world of boxing gyms, whose bag-punching rhythms he captures. Too bad the book itself doesn’t produce that same dynamic effect. Unless you like flabby narratives, I advise you to give The Slip, the skip.

Pull your punches and skip The Slip

Why writers read: “Writing is a difficult trade which must be learned slowly by reading.” – André Maurois

My Goodreads and Amazon review of By the Waters of Paradise: An American Story of Racism and Rupture in a Jewish Family by Clare Kinberg (Rated 5) – The Ties That Break. The titleBy the Waters of Paradise: An American Story of Racism and Rupture in a Jewish Family by Clare Kinberg is a summation of the multiple angles brought to bear on the author’s search for an unknown relative. Kinberg sets out to “find” her father’s late sister, Aunt Rose, who was banished from her Jewish family and close-knit St. Louis community for marrying a black man. Her personal search also becomes a historical investigation of race and religion in the last century, strands which Kinberg interweaves in a smooth and provocative narrative. With so much of the story untraceable, she draws on empathy and her own experience being married to a mixed-race woman and raising two black daughters, to imagine what life was like for Aunt Rose, her entrepreneurial husband Zeb Arnwine, and the black lakeside community in Michigan where they settled and opened Zeb’s Bar-B-Q joint. Examining the racism in her family helps Kinberg trace her own abhorrence of the tribal bigotry that poisons all of society. Likewise, she reconciles her faith with the racism and misogyny in Judaism by naming it, acknowledging its role in scripture, then writing new stories that teach alternative lessons on how we are commanded to treat people. As a fiction writer myself (see my Amazon author page and Goodreads author page), who creates characters as well as their stories, I admire Kinberg’s inventiveness. She reconstructs a credible life that connects her to the past and the present. Her accumulated knowledge and persuasive storytelling will accomplish the same for readers attempting to patch holes in their own histories.

Finding ourselves by reconstructing our ancestors

Why writers read: “If you want a new idea, read an old book.” – Ivan Pavlov

My Goodreads and Amazon review of On Animals by Susan Orlean (Rated 5) – Fair Game. In the words of author Susan Orlean, On Animals is about “the subject of animals — living with them, loving them, hoarding them, using them, and how our relationship to animals says something about who and what we are.” I like animals, but with a few exceptions (cats, for sure, and well-behaved dogs), I’m not a fan of them as pets. However, I am a huge fan of Susan Orlean, whatever her topic, and she is enamored of animals, both domesticated and wild, so I had no doubt I would be drawn to her book of essays. I was not disappointed. Among my favorites are “Show Dog,” about Biff the boxer, who is nothing like the stereotypical pampered prize winner depicted in most media; “Riding High,” about the centuries-long dependability of mules for agricultural and military transport; and “The Lion Whisperer,” about a man with an uncanny ability to co-exist peacefully with the king of (vicious) beasts. I also enjoyed learning about the place-loyalty of homing pigeons, animal actors’s rights, re-wilding captive whales, and matching teams of oxen. In short, all animals and their encounters with humans are fair game for this curious and entertaining author. The last set of essays are as much about Orlean the “farmer” as about the animals who live with her in rural upstate New York: fowl (chickens, turkeys, ducks, guinea fowl), cattle, cats, and a dog. Orlean’s relationships with her domestics is affectionate but respectful; she doesn’t baby or anthropomorphize them. She is particularly fond of her chickens. When she and her husband temporarily relocate to L.A., and she must leave the chickens behind, Orlean laments, “Our backyard in California is small. Moreover, there are zillions of coyotes and bobcats hanging out in the neighborhood, and they are not the scrawny East Coast models: like everyone in Los Angeles, the coyotes I’ve seen there look like they work out a lot with personal trainers.” Eventually forced to permanently move from NY to CA, a tearful Orlean observes, “I had reveled in the animals’ friendship and their strangeness; the way they are so obvious and still so mysterious.” We might apply the same paradox to people, if we attended to them with the same dedication Orlean devotes to her menagerie. As a fiction writer (see my Amazon author page and Goodreads author page), I can make that claim about the (un)knowability of the characters I create. I read On Animals soon after completing my novel Elephant Angel (out January 2028), during which I too collected interesting information about human-animal relationships. Orlean’s book was a fascinating complement to what I’d learned and spurs me to discover more about the animal kingdom as experienced by us and, as we can best infer, what they in turn make of us and themselves.

A menagerie between the covers of a book

Why writers read: “Read a lot. Write a lot. Have fun.” – Daniel Pinkwater

My Goodreads and Amazon review of Last House: The Age of Oil by Jessica Shattuck (Rated 5) – Who Pays for Progress? Jessica Shattuck’s sweeping novel, Last House, begins and ends with Big Oil, a geopolitical force that simultaneously fuels the world economy and ignites a family saga. Its title is the literal name of the family dwelling built by a man named John Last, a place to escape “when the world ends,” and a metaphor for decay. The narrative begins when the allied victory in WWII spurred well-intentioned progress and ends with the relentless pursuit of energy that today threatens the environment. As the world is torn apart, so are the generations in the Taylor family: Nick, the father, a veteran who is an idealistic lawyer for an oil company; Bet, the mother, who abandoned dreams of a career for suburbia; daughter Katherine, a rebellious child of the 60s; and son Harry, a “nature boy” before the term existed. In the background lurks Carter Weston, the amoral yet entertaining character who’s a fixture in spy novels. In the events of this finely plotted book, the peacemakers become suspect, their conciliatory motives perverted into their exact opposites. Meanwhile the fomenters of discord become heroes, the standard bearers of government and business. And beneath the national and worldwide drama, one family struggles to understand the generational rift that leads to tragedy and tears them apart. As a writer of 20th century historical fiction (see my Amazon author page and Goodreads author page), I admire Shattuck’s ability to interweave meticulous research with an absorbing story. At the panoramic level, Last House is an indictment of corporate hypocrisy and political manipulation. At a granular level, it is a heartbreaking tale of parental and filial loss. It would appear that no one wins until subsequent generations rebuild trust from the ground up. The other winners are the readers who will emerge wiser and deeply moved by this thoughtful and compassionate book.

How big oil threatens one small family

Why writers read: “A good book is an event in my life.” – Stendhal

My Goodreads and Amazon review of Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson (Rated 5) – Portrait of the Artist as a Young Modern. Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson is three volumes in one: the biography of the American fashion designer who created women’s sportswear; a survey of fashion personalities and practices from its preeminence in pre-WW2 Paris to its rising prominence in postwar New York; and a history of the emergence of second-wave feminism. This weighty and well-researched book nevertheless reads as breezily and comfortably as a McCardell wrap-around dress and pair of ballet flats. As a writer myself (see my Amazon author page and Goodreads author page), I applaud Dickinson’s skill in seamlessly joining a multitude of facts with a flowing narrative. McCardell emerges as a modern designer with respect for the past, a woman at ease with her body who understands female anatomy. Above all, McCardell comes across as trusting her own instincts and respecting the desires of those she’s designing for. She believed that clothes should be a natural extension of the self and not, as male designers decreed, a means to reshape and even contort the body. I first learned about McCardell while researching my novel A Brain. A Heart. The Nerve., a fictional biography of the actor who plays the Munchkin coroner in The Wizard of Oz and later (as I imagined), tired of having to shop in the children’s department, opens a clothing line labeled “Big People Clothes for Little People.” He too designs for his clients. McCardell was lauded in her era, but I was dismayed that, despite being a staunch second-wave feminist since its earliest days, I had never heard of her before. Hopefully, Dickinson’s engaging and informative book will patch that hole in the fabric of fashion history and introduce McCardell to a new generation.

A designer who understood what modern American women wanted to wear

Why writers read: “To read is to voyage through time.” – Carl Sagan

My Goodreads and Amazon reviews of The Personal Librarian by Marie Benedict and Victoria Christopher Murray (Rated 5) – Secrets Threaten Success. The Personal Librarian by Marie Benedict and Victoria Christopher Murray is the fictionalized story of the real Belle da Costa Greene, personal librarian to financier J. P. Morgan and his heirs in the first half of the 20th century. Although vastly different in background and temperament, Morgan and Belle share an encyclopedic knowledge of, and passion for, old and rare manuscripts. Belle is not only the lone woman in charge of an acclaimed library, she is a consummate bidder against rich and powerful men when it comes to acquiring them. The novel, a trove of information about the treasured documents and the rarefied social world of the era’s elite, is ultimately about how those who collect and preserve the past simultaneously seek to hide their own personal history. In Belle’s case, she is passing for white. Others must hide their religion, sexual identity, or other characteristics that, if known, would make them outcasts in the society they are desperate to remain a part of. The authors do a masterful job balancing the tension between Belle’s inner and outer worlds as she relishes her accomplishments while living in constant fear of exposure. As a historical fiction writer myself (see my Amazon author page and Goodreads author page), I admire their ability to keep readers immersed in the narrative moment while simultaneously painting a detailed backdrop of the times in which the events occur. So much in this book is “just right” – details about the rare manuscripts, characterization, pacing. And as a testament to the “colored” woman who, in reality, brought an amazing private collection into the public domain, The Personal Librarian is a worthy addition to any library.

Hiding her true identity, a woman achieves success and leaves a lasting legacy

Why writers read: “If you read good books, when you write, good books will come out of you.” – Natalie Goldberg

My Goodreads and Amazon reviews of Tell Me Everything: A Novel by Elizabeth Strout (Rated 5) – Tell Me More. Tell Me Everything by Elizabeth Strout brings together the characters she’s introduced readers to in her previous novels. In this volume, Bob Burgess is the center who draws the others into his orbit, but each has untold stories of their own to relate. Individually, these “unrecorded lives” have often been challenging, even painful, yet they are not extraordinary within the panoply of human experience. Likewise, the events and emotions they share when their lives are entangled in Strout’s latest book are unexceptionable. Except that in this author’s capable hands, each story acquires the depth, radiance, or tragedy that elevates it to a level worth telling and remembering. As a novelist myself (see my Amazon author page and Goodreads author page), I admire Strout’s gentle but firm control as she navigates the bumpy terrain her characters traverse. Their small worlds are big enough to accommodate us all. I didn’t want the book to end, and impatiently await Strout’s next book so she can tell me more.

Stories worth listening to, told by a masterful writer

Why writers read: “To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.” – W. Somerset Maugham

My Goodreads and Amazon reviews of Chomp Press Pull by Elaina Battista-Parsons (Rated 5) – A Sensational World. Chomp Press Pull: Stories of a Sensory Self by Elaina Battista-Parsons is an open invitation to explore the world through our senses. Her spirited memoir takes readers on an immersive tour not only through sights and sounds, but also smells, tastes, and textures rarely explored in literature. Each sensory memory conjures a person or experience that shaped who she is today. Likewise, readers will be drawn back to the sensory worlds that defined them. As a writer myself (see my Amazon author page and Goodreads author page ), I know the English language has a dearth of adjectives and metaphors for describing sensations other than sight and sound. Battista-Parsons supplies her own vocabulary by detailing how her brain and body respond — nerves, muscles, bones. In welcome doses, sensory input evokes her delight. Too much causes distress until she masters techniques to manage the overload. And while not a “how to” or “self-help” book, Chomp Press Pull lets us better understand, support, even envy, children and adults who experience the environment in ways that may seem foreign but comprise the spectrum of human sensory wiring. Battista-Parson has learned to feast on her senses; her memoir will help readers relish theirs.

Understanding and appreciating sensory overload

Why writers read: “Fill your house with stacks of books, in all the crannies and all the nooks.” – Theodor Geisel, a.k.a. Dr. Seuss

My Goodreads and Amazon reviews of Hunchback: A Novel by Saou Ichikawa (Rated 5) – Invitation to Voyeurism. Hunchback, the award-winning Japanese novel written by Saou Ichikawa (and translated by Polly Barton), robs readers of breath in the same way that myotubular myopathy, the congenital muscular disorder that afflicts Shaka, the protagonist, clogs her lungs. An heiress, whose late parents left her the group facility where she lives, Shaka’s alert mind is the antithesis of her crippled body. She connects to the world by pursuing university degrees and writing website porn. Not having experienced sex herself, she relies on her imagination, and an astute understanding of what her readers want, to create steamy erotic scenarios. Ichikawa, who suffers from the disease herself, is matter-of-fact describing the daily rituals necessary for survival. She is equally down-to-earth detailing sexual fantasies. Reading them felt voyeuristic, and yet my guilt was assuaged by the fact that I was doing so at her invitation. More than her invitation — her insistence! She demands that readers not look away, but instead acknowledge that people with disabilities exist and have the same desires as able-bodied people. A novelist myself (see my Amazon author page and Goodreads author page), I create atypical characters who seek comparable recognition. Ichikawa makes this plea in a short and intense book that is initially unsettling but ultimately settles into a portrayal of basic human nature.

A disabled woman demands to be seen

Why writers read: “To find words for what we already know.” – Alberto Manguel

My Goodreads and Amazon review of Tick … Tick … Tick … by Steve Zettler (Rated 5) – Clever Countdown. Tick … Tick … Tick … by Steve Zettler is a masterful montage of literary genres and contemporary themes: a spy novel with aliens, a dire environmental warning, a satire of governmental (in)competence, and a mystery with white hats lurking in noir shadows. Zettler addresses a serious problem — global warming — in a highly entertaining way that includes an over-the-top narrative, wild imaginative leaps, belly laughs, and even puckered lips. As a novelist myself (see my Amazon author page and Goodreads author page), I admire Zettler’s ability to juggle so many elements in this meticulously plotted thriller. Suspense mounts as readers worry whether U.S. agents will turn around the world’s wasteful ways before the clock ticks down to the aliens’ final plan to destroy the “disease” that is planet Earth. Sit back, or perch on the edge of your seat, as you read Tick … Tick … Tick … to discover our fate. It’s a boom of a book!

A giddy romp through global warming

Why writers read: A book can be a star, a living fire to lighten the darkness, leading out into the expanding universe.” – Madeleine L’Engle